I’ve been meaning to read Girl, Woman, Other by Bernardine Evaristo but never really got into the book. I was intrigued when I found an semi-biographical poetry novella by Evaristo called Lara, and decided to give that a go, instead.
Lara was originally published in 1997. Through poetry, the story roughly follows the historical timeline of Evoristo’s family, going back 150 years. The reader gets glimpses of her grandparents, detailed stories of her parents, and delves even deeper into the experiences of the young Evaristo herself. Her heritage is varied with unexpected geographical locations that we as readers get to visit. Not unsurprisingly, the young Evaristo is struggling to find her identity in this mix. The biggest confusion, as I think is very common, is not coming from Evaristo herself, but from the society around her and their ignorance and reactions.
I think using poetry is a good way to tell a biography where a lot of the history isn’t known. It lets Evaristo dig deeper into the emotions and be less concerned about historical facts. The early events are sketchy and possibly not fully chronological but filled with emotional expression and personal perceptions.
The poetry form makes it easier for the reader to jump from location to location. We land in Nigeria, Brazil, Germany and Ireland before arriving in England, but each place has its own character and atmosphere which shapes the overall narrative.
Those of you who have followed this blog for a while know that I have a preference for poetry books with a clear story that connects the poems. This is a very good example of this form of storytelling and it’s expertly used too.
I read through Lara very quickly. That is the advantage of using poems like chapters or scenes in the story. As long as the story holds you in its grip, you continue from one poem to the next, to the next… Perhaps the individual poems don’t get the attention they deserve in favour of the overarching story, but then you can always pause and reread if a phrase, a stanza or a specific poem catches your attention.
It’s interesting that Evaristo has immigrant ancestry, not just from her African and Brazilian side of the family, but also white immigrant family members from Germany and Ireland. We are often biased to immediately think of immigration from certain parts of the world, but immigration has occurred from a vast variety of locations over a wider period of time than what we normally take into account.
I recommend reading Lara and I hope more writers use this form of poetry storytelling. Used the right way, it really can be an intriguing story form.